I'm on another 'clay jag'. It happens. I get all enthused about making a certain form--in this case, tumblers--then try and see how many different kinds I can make. Sometimes I have to race to get the ideas all down on paper before going merrily off on another 'jag'. This finished tumbler was made while taking a class by Jamie Walker some time ago at Pottery Northwest on painting on raw clay with underglazes. It's an experimental piece. (Pfuut! as if that was something new. Nearly everything I make is experimental.) The designs were lightly drawn in pencil on a slightly damp thrown piece then outlined and filled in with a brush and underglaze. I used a bit of scraffito on the wide band at the top just to see what would happen. (I love to use it because it holds a pint of liquid and has a very comfortable lip.)
So here's some tumblers in process on the current jag: They have been thrown on the wheel and altered, they are awaiting a complete dry-out before being put into the bisque kiln. The first series of 6 (really 7 just in case and to keep a reference piece) were what I'm calling Innies and Outties. They either have areas that are pronounced dents or bumpy bits added to the outside. It's amazing how interesting they are to hold. A hand diversion.
The second is pure class. I have a stamp which I used to make the center medalian. First, I stamped slabbed clay, then thought, "How can I make nice clean cuts around the shape? I know, where's my biscuit cutter!" There's an old cutter rattling around somewhere in my studio. (See, that's why you need all kinds of crap in your studio because when you need it you NEED it.) I made another set of 6 with this motif, but with more going on with the surface--nubs and dents. The one pictured here is sort of an 'out-take'.
And the final set of 6 are tumblers on small pedestals. These are thrown separately and will be bisqued as two pieces, then glazed and fused together in the final firing--another test to see if THAT will work. I'm seeing these in a reddish brown with dark chocolate brown interiors and bases. We'll see.........
I still have more designs to go. Another set of 6 with the flared lip and oriental-like stamps down one side, a set with a series of large dents and indented lines, and yet another set with an underglazed big, dark spot on one side.
Hey Jeanette!
ReplyDeleteYour the ray gun person!!! those are just too cool!
Love the new work, form is good! Porcelain?
Clay engineer, what a great way to describe what we do!
I enjoy your comments on clayart and now see you have a blog! gosh I am such a lurker....
stay centered!
Sandy Miller
off to the studio to mix glazes today..... :-(