A Square Bead

This is a solid bead. Made of porcelain.

I haven't a clue what I'm going to do with it.

I just like it.

Think I'll make some more.

Fall

The cormorants are back.

Fall is definitely here.

"Wedgewood" Beads

These handmade beads are also hollow and decorated in a technique called pate sur pate, meaning clay over clay.




The body of the bead is made of colored bisque.

The decoration is made by creating a white slip and applying it with a fine-point brush.

Quite tedious.

They are fired using a bead rack holder in the kiln.











Another bead using the same technique but this time the addition of tiny white clay balls. Very tedious. I use dental tools to apply the little clay balls to the bead.

Kiln opening

The kiln opening went fine with the exception of one teapot. I was attempting a bas-relief of figures on the sides and one side popped off onto the shelf. Hammer Time. Next time, I will sculpt the sides and join them when they're leather hard. Trying to form the figures on the side of the pot after it's put together causes too much difference in the dampness of the two operations. I suspect that's my problem, anyway.

Live and learn................................Live, mostly.

My other pieces came out really well.

While I was unloading the kiln, I kept hearing scratching sounds. The studio is in one finished double garage; the kiln room is another attached unfinished garage. There's a door between. I had left the door open since my storage shelves for bisque are in the studio. My dog was snorting his brains out and when the noise finally penetrated my brain, I began to wonder what was going on.

I walked into the studio and was almost eye-to-eye with a red squirrel running around the ceiling on the garage door rails. I don't know how he got in. Maybe he snuck in the door when my back was turned. He can get into the attic--much to my irritation. I keep thinking we'll finish the spaces out and I'll eliminate that problem, but seems like everything else comes before that.

Anyway, I panic because I have a lot of work standing on shelves all over the place, the dog panics because his heart's desire is within reach, the squirrel panics because he's a squirrel.

He jumps from the door rails to a shelf, runs along it behind the bisque, across to the corner where my glaze materials are stored, back behind two shelves loaded with some of my prize pieces. He's just dancing on the open support strips, runs across two window sills. All the while the dog is barking and jumping. Yee gods! I grab the broom, open the garage doors, shut the adjoining door and try to chase him toward the big opening so he can get out of there. In the process, I run into a major spider web (they're moving inside because cold weather is coming) get web all in my hair and have a spider running around on my shoulder and arm.

Meanwhile, the squirrel runs back across a window, the back behind the shelves of prized pieces, across another window, back to the glaze stuff; the dog jumping like he's on a pogo stick. Every time he barks, the squirrel gets a little crazier.

I wave the broom, block him from the adjoining door and try to chase him toward the open garage door. He finally gets it, makes a mad dash down the wall. (How'd he do that!) and out onto the driveway, the dog in hot pursuit.

That little devil. I've tried to catch him with a Hav-A-Hart baited with everything I can think of. He has an abundance of pine cones, so he's not interested in sunflower seeds or peanut butter. I'd love to take him for a ride.

New 04 Firing Sched

Trying out a new computer program for my Skutt.

After looking at the book, Mastering Cone 6 Glazes, I decided to take their recommended bisque firing sched.

Since most of the pieces in this firing are porcelain and a couple of them are maybe a bit damp, I'm going to see how it works.

04 Bisque

80 - 212F/0 (slow)

180 - 1650F/0 (fast)

100 - 1760F/0 (slow)

80 - 1944F/20 (soak)

Alarm 1000

Delay 9 hours

Fingers crossed!

Bone Buttons

Isn't this a great bunch of buttons?

I picked this selection up somewhere and instead of taking them to the sewing machine/button boxes, I took them to the studio.

They are there in a plastic bag, in the desk to remind me to do something with this look. Maybe replicate them with porcelain and underglaze and attach them to something. Maybe to decorate a whole bowl/platter/pot with a design in the spirit of the buttons en mass or just one.

I don't know yet, but they are there----

To remind me-----

The Glazed Bead

Here's another version of the decorated bead. Only this time, instead of being bisque, it's glazed.

The glaze softens the appearance of the leaves, but I love the minute crackle that happens.

A Porcelain Pendent

This is a test of using porcelain to create a pendent as a centerpiece for a necklace.

I'm thinking multiple strands of seed beads, possibly blue, to flank both sides of the pendent. It would need to have a central anchor threaded through the top with discrete loops on both ends to support the addition of the beads. --Still a work in progress-- The thread is to remind me of an alternate way to attach the pendent.

This piece was made primarily to see how the particular clay I had would turn out and the firing technique would work. The piece is unglazed on the back.

The piece is glazed with a clear glaze and fired at a cone 5-6 oxidation.

I think it has potential.

Hand Made Beads

Yesterday, when I was making a necklace with some clay and antique beads, I ran across several beads that I made of porcelain.

I've never photographed them before except once, using another bead several years ago, for an article in Studio Potter.

I have several different ones, each hand constructed and made with a different technique.

They are not large as you can see. They're hollow. I used a marble and made a two-part mold to form the ceramic beads, then cut the holes for stringing with either a needle tool or a bamboo skewer.

It's best to let them get leather hard first, put them on the skewer so you can work on the exterior and then enlarge the hole for stringing.

All the decoration is hand formed and placed on the surface using either a very light touch or a needle tool/dental tool.

This bead is bisque, fired on a bead rack in the kiln. The clay is porcelain fired at 04 cone electric.

I've never sold any of these beads--I haven't a clue what to ask for them. Any suggestions?

More Banquet Table Garnitures

Okay.

I found some pictures finally.

This is close to the kind of table decorations I was talking about. And this example is ceramic.


Totally over the top:

It's still not the kind I've been looking for, but close.

I don't know if you would be able to find the food with this all over the table.

Some of these elaborate decorations were constructed with sugar.

If you saw the movie Vatel about Francoise Vatel, the legendary chef, you would remember the elaborate work done with glaced fruit and sugar baskets arranged for one grand banquet....

Here's something that might work in modern settings.

I've often thought of making an entire table ensemble to use for serving a full curry meal with warming dishes for the sauce and rice; small interlocking condiments dishes to match.

http://www.historicfood.com is a great site to explore.