Sunday, December 23, 2007
Busy is smart. And busy. She understands a large amount of English words. Sometimes we have to spell in front of her. (She also knows, Owner puts on lipstick; Owner is going somewhere. Sometimes Busy knows owner is going somewhere even if owner just Thinks of going somewhere.)
Busy is now 12 years old. And Busy has her routines. She is the timekeeper.
One of which is, No matter when the peep of dawn comes, Owners Must Be Woken Up.
Another is: Owners must be accommpanied at all times. No matter if you move from one chair to another, Busy must get up and lay within a radius of 3-5 feet. This applies to bathroom visits as well.
Owners must be reminded of when to feed Busy. (This is a very tiresome task. You'd Think they would have gotten it by now.)
When Busy goes out the door;
(Doesn't matter if there's something to bark about or at, Busy Barks.)
And finally, Busy's In and Out routine goes like this:
Busy Drinks Water;
Busy Goes Out.
Busy Drinks Water;
Busy Goes Out.
Repeat every 2-3 hours during the day.
Simple enough for ya? Sheesh, Humans are so DUMB.
Saturday, December 22, 2007
Friday, December 21, 2007
Mizusashi referes to a large water jars used during the Japanese tea ceremony. (Mizu means 'water') Usually, but not always, they have black lacquer lids with a small loop on the top.
They can be just about any shape; as finished or as primitive as the imagination can dream up. The only requirement is containment of a certain amount of hot water and an opening large enough to accomodate a special bamboo dipper. They are usually quite heavy, although there really are no rules when it comes to mizusashis. (Shown here with the iron water container, heater underneath and the bamboo dipper in the background.)
When I visited Japan a couple of years ago, I was intrigued by the huge variety of interpretations of this jar form. We visited one museum devoted exclusively to mizusashis. And, since they are an integral part of the aesthetic of tea ceremony, they can be extremely expensive and a prized possession.
I came back to my studio and made several. It is a beautiful form for creating various storage jars and in the classic shape, makes a very pleasing object to have in your house.
I happened to have some corrupted black glaze that had morphed into a wonderful chocolate brown. It worked perfectly as a substitute for the lacquer lid. This example is quite large. My teabags live in there.
Friday, December 14, 2007
I've always liked the empty, echo-y barren house mode. It brings back Navy transfer memories of the period when you land in a new place and all your stuff is on the moving truck, winging it's way to you. The-camping-out-in-the-empty-cave concept. I still like it.
As I mentioned before, we only brought a Suburban-load of stuff. Besides two dog kennels and 4 suitcases and various clothes space bags and file boxes, we were able to pack in a few things:
One dismantled Le Corbusie chair.....one of the most comfortable chairs EVER invented. I sat down (reclined-more like) in this chair in a Seattle furniture store and immediately wrote a check. (But I must note, it wasn't anywhere near the designer store price, but much, much cheaper--it's an Italian replica.) It wasn't that hard to shoe-horn this chair into the van, believe it or not. It always was a superfluous piece of furniture in our old house, lounging around in part of the living room looking totally out of place.
Is that what they mean by "Casual Furniture?" Something that just lounges around.........casually?
Other stuff: Two vintage goose-neck lamps, WWII era ones that I somehow wound up with after about ten years of being an antique dealer. A mahogany drop-leaf table was indecorously bungied and turned upside down with it's horse-like legs in the air and winkled into place behind the driver's seat. My Mac was nestled into quilts and wedged into the cavity of said table and padded with more space bags. (I jammed two bags full of fabric for quilts I've been intenting to make.) We also had the PC that owns my husband, and a few books. We topped the load off with two rugs, a roorkhee safari chair (dismantled and in a bundle) and the caned-seat balloon back chair I just repaired.
Two boxes of various office supplies, household tools, utensils, etc. were also stuffed in. I figured it would prove easier to throw this in and too annoying to have to run down to resupply in the new place. So now, at this point, we're filling in the gaps of the things we didn't throw in, but suddenly need........like wide tape for mailing Christmas boxes. (forehead smack)
Really, I'm trying to limit my trips and be thrifty about gas usage, but you just have to invest time and mileage to get your bearings. So I tried to combine the tape trip with continuing on to the post office to mail the packages and on the way, cruise a couple of strip malls to try and remember what stores are where. (I hate shopping, but I hate driving around looking for something even more.)
I did locate a great French bakery with real pate (!) great croissants and baguettes. I think Mr. le Bak-air and I will be seeing a lot of each other. How many croissants can I get on a platter?
Tuesday, December 11, 2007
Thursday, December 6, 2007
Flanking the entrance and standing behind huge glass display windows are these fabulous ceramic elephants. You can find more pictures of them on the web at www.thomasgoode.co.uk. The elephants are majolica and were made for the company by Minton around 1898. They stand at about 8 feet tall. They are truly awesome.
If you go to the Goode website, you can see another view of one of the elephants and also read about the history of the company. The outside of the building is decorated with tiles and enormous Chinese-style vases set in niches high above street level. Alongside the south wall are beautiful tiles in the wall. It is quite impressive. When I worked and lived in the UK and I would pass this business often on my lunch hour and would never tire of looking at the wonderful elephants and beautiful display windows. I try to return every time I visit London. (Which hasn't been nearly enough!)
Inside, the shop and museum seems to go on and on with rooms filled with of the finest examples of ceramics to be seen anywhere. Goode still produces china wares for sale as they have since the early part of the 19th Century.
Sunday, December 2, 2007
I love boxes too. I love making custom boxes.
This is another class I took some time ago. I learned how to make boxes from scratch. Using a grey board, I learned to construct the outside, fit drawers and fashion custom compartments. It's a lot like carpentry.
This little treasure is a carved elephant and rider I bought when we visited New Dehli in the '70s. It is such a delicate carving. (The elephant has separate, swingy earrings.) It is only about 1 1/2 inches tall and I've always been afraid it would get damaged. So, I made this keeper box based on a classic perfume box design. I even cut custom recesses in the bottom black mounting piece to fit the outline of the elephant's feet. They fit down into holes that are about 1/8 inch deep. He is kept in with tiny dollops of Museum Gel.
On the top is an antique ivory teapot knob I found in an antique store; the little dangling elephant is a family piece--an antique celuloid political token from about 1880-1900. The paper covering the box is made in India.
I have many sketches and notes on boxes in my clay files. The same principles of construction apply, with modifications for working in clay. Lana Wilson has written several good articles about how to make clay boxes.
I'm particularly interested in figuring out how to make a box with a secret compartment. I've always loved the idea of hidden rooms, sliding panels, puzzle boxes.